Oh how wrong I was.
How very very very wrong.
Mr. Lestat and J-C, (famed artistic creations of the vwamphyrrically bonkers kind, somewhat long-in-the-tooth, but that's muses for you) have a hell of a lot to answer for. Oh those… Carpathians, to paraphrase Boney M.
In fact, this latest book (for want of a better word, I mean, there are pages and a cover and actual printed words and such) reads to me like a Boney M version of "The Funky History of Drakula with lots of Russky-type-boinking and guns", sometimes set in Romania. Only with Italian subtitles. Featuring a nubile chorus of Egyptian gods wearing sparkly eyeliner and a ghostly, well let's call it a "tambourine", although that would be the wrong shape.
The only problem with that comparison is that I don't think Boney M took themselves quite as seriously as this book (or its heroine) does. No campy fun for us in our flowing pantaloons, oh no.
Still, there is hope. I'm only on chapter 7 (pages are turning quite slowly) and it's entirely possible that the heroine may smack her head against a convenient low-hanging tree branch, get amnesia and forget all the info she must dump along the way. Not sure what to do about every other character's single-minded determination to adore and worship every single fibre of her being, though.
Inadequately-researched digression into Romanian taste in popular music.
It was the chorus of happy Romanian peasants singing Peter, Paul and Mary songs in the pub, accompanied by the heroine on the guitar that pushed me to my current underpants-on-the-head level of despair and befuddlement. Actually, I asked the Romanians in the other office how they felt about Peter, Paul and Mary, or possibly, Petru, Pawel and Maria songs. But apparently, they like Shakira better. Hips don't lie.
Since I'm now adament that I will finish this bloody book, I can only hope that there may be a cunning twist in the tail. Perhaps the heroine will whip out (maybe skip the whipping, though, because my imagination has enough to cope with, thankyouverymuch) the trusty, "main-character-as-evil-machinator" plot device (thank you, Dame Aggie).
She can then reveal that the entire preceding storyline is the result of a nefarious plot on her part to lobotomise every character with whom she comes into contact, turning them into brainless lumps of hunky man-jelly, who will be hers… (assume Truman Capote voice here) hers... to toy with... (a loony hand-washing gesture would not go amiss at this point).
Anyone else notice the dearth of decent female secondary characters when a heroine like this flounces, bitches and